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发表于 2005-2-15 22:01
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<P>As a singer, producer, and songwriter, Babyface was an inescapable presence in virtually every major facet of pop music during the '90s. His own recordings helped rejuvenate the R&B tradition of the smooth, sensitive, urban crooner and made him a staple of urban contemporary radio. Yet their considerable success was eclipsed by his songwriting and production work for other artists, which linked him with some of the biggest stars and hit singles of the decade (and not just in the realm of R&B). You'd be hard pressed to name a '90s hitmaker with a track record more consistently successful and versatile than Kenny "Babyface" Edmonds. <P>Kenneth Edmonds was born April 10, 1959, in Indianapolis and began playing in local R&B bands as a teenager. He served a stint in <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:ad6gtq9ztu43">Bootsy Collins</A>' backing unit (where he earned his nickname) and subsequently joined the funk outfit <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:9hvsa93gb230">Manchild</A>, which signed a record deal in 1977 and released three albums. After their breakup, Babyface and partner <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11 cc1z84a8yv5">Antonio "L.A." Reid</A> formed an urban funk group called <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11mdkyl5jxpsb">the Deele</A> in the early '80s, which scored a few sizable hits on the R&B charts. Babyface and <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:i6fe4j571waw">Reid</A> began producing and writing for other artists on the side, landing hits in <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:nsr9281c058a">Pebbles</A>' "Girlfriend" and <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11mozefikhgf8">the Whispers</A>' "Rock Steady"; following <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11 l5g8qztbt04">the Deele</A>'s third album in 1988, the duo left to continue their outside activities full-time, co-founding the LaFace label in 1989. Further hits followed in <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11w5g8qxtbtn4">Bobby Brown</A>'s "Every Little Step," <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11yeb97l7krgt">Sheena Easton</A>'s "The Lover in Me," and <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:4uzyxddbjolj">Karyn White</A>'s "The Way You Love Me" and "Superwoman," all of which performed well on both the pop and R&B charts. <P>Babyface had actually recorded a little-noticed solo album in 1986, titled <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=108jgtq6ztu4p"><I>Lovers</I></A>, but with his newfound success having marked him as one to watch, his solo career now began in earnest. Released in 1989, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:6tkku3e5andk"><I>Tender Lover</I></A> caught fire, spinning off four singles over the next year, including the R&B chart smashes "It's No Crime" (number one) and "Whip Appeal" (number two; both also reached the pop Top Ten); the album also went double platinum. Now firmly established as a powerhouse, Babyface went on to co-write hits for <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:aep1z82ajyv4">Johnny Gill</A> ("My, My, My," nominated for the Best R&B Song Grammy), <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:98q2g4jttv3z">Whitney Houston</A> ("I'm Your Baby Tonight"), and <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:5fq7g4jttv3z">Madonna</A> ("Take a Bow"); his biggest success, however, came with <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:n7lvadzkv8w3">Boyz II Men</A>, whose recording of "End of the Road" became one of the longest-running number ones in pop history (the Babyface-penned follow-up "I'll Make Love to You" was also pretty successful in its own right). He was co-nominated for an Album of the Year Grammy for his production on <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:srk0ikxhbbo9"><I>The Bodyguard</I></A> soundtrack and went on to work with artists like <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:rq6wtr59klkx">Celine Dion</A>, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:kikqikz6bb89">Mariah Carey</A>, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:w69us34ba3pg">Gladys Knight</A>, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11 s120r3ac48i">Aretha Franklin</A>, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11 q6wtr59klox">En Vogue</A>, and <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:uguf6j8h71w0">Mary J. Blige</A>. As if that weren't enough, LaFace had become a highly successful and lucrative imprint, breaking artists like <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:6aq8g4attv3z">Toni Braxton</A>, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:00jgtq6ztu4o">TLC</A>, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11 9fpxqlgldde">OutKast</A>, and <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:j9kku3y5an2k">Usher</A> (often with input from <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:5bknu3lganok">Reid</A> and Babyface). <P>It's no wonder Babyface wound up taking a break from his own career as a singer during the early '90s, releasing only a remix album, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:hifoxql5ld6e"><I>A Closer Look</I></A>, in 1991. The proper follow-up to <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:etduak6k5m3k"><I>Tender Lover</I></A> didn't appear until 1993; even so, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:if9ks39ya3ng"><I>For the Cool in You</I></A> was an even bigger hit than its predecessor, going triple platinum and producing Babyface's first Top Five pop hit, the change-of-pace acoustic guitar ballad "When Can I See You Again" (which won him his first Grammy as a performer for Best Male R&B Vocal). In 1995, he scored another major success with the <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:79syxdyboolk"><I>Waiting to Exhale</I></A> soundtrack, not only producing it but scoring the film itself and writing nearly all of its songs, including the <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:eiaxlfwe5cqq">Whitney Houston</A> smash "Exhale (Shoop, Shoop)." The same year, he won the first of three consecutive Grammys as Producer of the Year. Successes just kept coming in 1996; the guest-laden album <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:0w3zefek8gfn"><I>The Day</I></A> spawned another Top Ten pop/R&B hit in "Every Time I Close My Eyes," and he solidified his crossover credentials once and for all by winning a Grammy for Record of the Year as producer of <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:jf4gtq2ztu4p">Eric Clapton</A>'s "Change the World." <P>Encouraged by the success of <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:qnxuaknkhm3z"><I>Waiting to Exhale</I></A>, Babyface and his wife, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:u1ge4j673wal">Tracey Edmonds</A>, formed their own film production company, which debuted in 1997 with the acclaimed urban family comedy/drama <I>Soul Food</I> (Babyface, naturally, masterminded the soundtrack). The next year, he contributed lyrics to the animated musical <I>The Prince of Egypt</I>, which went uncredited on the soundtrack album. With the movies taking up more of his time, his next musical releases were quick one-offs: an <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10x4tk6hxwkrd"><I>MTV Unplugged</I></A> album in 1997 and the seasonal <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:pm7tk6sxwkrg"><I>Christmas With Babyface</I></A> the next year. His production and songwriting activities continued, though he remained silent as a performer for a few years. In 2000, Epic released the best-of compilation <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:yi0xlf0e0cqq"><I>A Collection of His Greatest Hits</I></A>, marking the end of his tenure with the label; he had elected to move to Arista, where <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:4c851vf8zzca">L.A. Reid</A> was now a high-ranking executive. In 2001, Babyface released a new album, <A href="http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:te5g8qbpbtx4"><I>Face2Face</I></A>, and also produced the punk-pop soundtrack for the film <I>Josie & the Pussycats</I>. </P> |
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BR><P><FONT size=4>翻得烂烂的，将就点瞅一眼，请赐教。</FONT></P><P><STRONG><FONT size=5>肮脏坏家伙<BR>黑人hip-hop乐队Wu-Tang Clan的立队成员之一，<BR>在90年代发行过一些极具影响力的hip-hop专辑。<BR>在录音和空闲的时候，ODB都是乐队里一门松散的大炮。<BR>伴以蛮横不敬、自由结合的韵律，边轻敲边哼唱、极具特色的歌唱风格，ODB给予人一种洒脱的喜剧性放松和飘忽不定的威胁感。不幸的是，在开始他成功的独唱事业后，他个人的生活也展示出与其音乐相同的特点。在98年和99年ODB大部分时间都受到拘捕……更多详情……</FONT></STRONG></P><HR></BLOCKQUOTE><FONT face=楷体_GB2312 color=#f70909 size=5>厉害哦.</FONT>
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